M Des Project Reports

Permanent URI for this collectionhttp://ir.daiict.ac.in/handle/123456789/4

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Start date: 2006End date: 2009

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    Dhol di awaaj
    (Dhirubhai Ambani Institute of Information and Communication Technology, 2009) Sharma, Sparsh; Raje, Nitin
    Bhangra is a lively form of music that was Originated in Punjab region in Southeast Asia. Traditional is a fusion of music, singing & the beats of the dhol drum, a singled stringed instrument like: Iktara, Tumbi & Chimta. As it creating & expressing new identities in the globalizing world. The idea is to communicate a cultural phenomenon as how Bhangra is transformed by Overseas Punjabis, As every one knows that bhangra got its own significance & place in culture of Punjab, India & Overseas as well as. Though it moves into mainstream culture & Punjsbi people have become more global & advance. Which effects on the second generation? How ever, the people who migrant from Punjab have had s effect on Western Punjabis & Now Bhangra have become global & gain popularity in Overseas as well. As I have diaspora are interpreting & expressing these new forms of culture. My more stress is the circumstance, conditions affecting the chance of people of Punjab and overseas also, who are forgetting their originality. Specially a second generation, they all like remix, thrilling songs, which have changed authenticity of bhangra. They like Punjabi songs, which got really its meaning. Even overseas Punjabis counterparts also come in motion by listening the beats of dhol even though they don’t know the meaning of the lyrics. However I have taken up personal interviews of different types of people, interact with them, and finally I have divided three sections Rural Punjab, Urban Punjab and Diasporic Punjab. I have tried to show the changes have taken place with the pace of time. I have tried to compare the variations by audio, video, photographs, text and categorized the views of the people, personal interviews and Punjabi songs in form of multimedia design. However, bhangra has brought the people of Punjab very close to non Punjabi communities, Though this is an achievement through which globally we have come together in Socially, Culturally and Religiously.
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    Dharti ke lal: sons of soil
    (Dhirubhai Ambani Institute of Information and Communication Technology, 2009) Kholia, Puru; Desai, Binita; Mazumdar, Madhumita; Pandya, Vishvajit; Kumar, Arnav
    An integral part of physical culture, Pehelwani prevails in India since ancient times and having undergone several changes, it still exists in a slightly different form however it is not as popular as it used to be a few decades ago.Pehelwani influenced the general lifestyle of many individuals, and for centuries it has been appreciated by the masses as the most popular form of entertainment.Certainly it is something which supports the formation of a healthy body residing in a health conscious environment and it is for this reason Pehalwans are so passionate about the Akharas and their Gurus. Governed by various social and economic environment factors there had been many ups and downs in Pehelwani and the lifestyles of Pehelwans By presenting a precise overview which includes how Pehelwani is associated with Hindu mythology, preindependence,post independence and the current times,and therefore, deriving an exact description comprising of its essential ingredients, the project is intended to reveal the social aspects of Pehelwani in an interrogative manner and therefore bringing its current scenario in a realistic way. While covering different kinds of changes that took place in Pehelwani in a rationalistic manner that is to document the reasons behind those changes, the project shall convey, with striking eloquence a message about those aspects of pehelwani which are scarcely given any importance.
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    What child art could say?
    (Dhirubhai Ambani Institute of Information and Communication Technology, 2009) Kaur, Abhineet V.; Pandya, Vishvajit
    “What child could say?” is project which intents to design a communication of public interest message for middle class urban Indians. It is to alert parents in the direction of importance of family peace and harmony. And to be sensitized to the impact of domestic conflict on there children in the family. It is a message in which a child drawn image is made to say to the adult’s world for not letting him grow in a place that is dark and unconstructive rather provides an environment which is bright and blissful for them to grow.
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    Devo athithi bhava-athithi devo bhava: an event where God come in as guest and guest comes as God
    (Dhirubhai Ambani Institute of Information and Communication Technology, 2009) Sharma, Neha; Pandya, Vishvajit
    “Devo Athithi Bhava, Athithi Devo Bhava” is an exploration of a unique cultural phenomenon which leads to social, political and economical context of the place. It focuses on the festival “Dusshera in Kullu” where the Gods come as guests. The tourists i.e. guests who visit the place are also treated like God to the place. Project is basically to promote ‘Tourism in Kullu’ which is further exploration of not only the ‘unique way of celebrating this festival but also communicates the “Impact of culture tourism” on and by the people of Kullu in Himachal Pradesh. It invites the user to explore not only the culture and belief of the festival in the context of its celebration but also to assist the viewer to know about the local people and the place, where tourism potential provides the State, the tourist as well as the local people benefit, by organizing such culturally accepted festivals and events. Tourists are derived of opportunities to enjoy the rural, remote and the most scenic parts of the state due to lack of awareness. Thus, project explores them to find other places in the district those have equal cultural tourism potential. It generates critical awareness among the tourist who are visiting the place to get authentic information about the event. It also gives information to the viewer about the culture diversity in India and gives knowledge of the tradition of celebrating dusshera festival in various parts of the country in different ways with independent history related to it.
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    Darshan on the highway: urbanisation and popular religion in contemporary Ahmedabad
    (Dhirubhai Ambani Institute of Information and Communication Technology, 2009) Anglay, Hemang; Mazumdar, Madhumita
    Darshan on the Highway is a multimedia news story which is incorporated in a news website. It brings out the quality and characteristics of New SG Highway. In the recent years a new lifestyle has emerged on account of growing economy around the city of Ahmedabad. Two major forms of structures which emerged are the 'Temples' as well as the 'Business' complexes. Mainly the religious structures and business structures are the two main segment which share a symbiotic relationship between them, and also constitutes to the Visual Display of the entire stretched area. It has changed the economics of this stretch of the city making it a hub of a range of malls, multiplexes and restaurants. The temple complexes along with shopping complexes make the SG Highway a unique site for the study of the nature of urbanization and popular religious practice in contemporary Gujarat. It brings out the recent change which has transformed into a cultural phenomenon - The co-existence of economic enterprise and spirituality. It deals with the demands of work, leisure and religiosity in the best possible ways. The SG highway has attracted both citizen and media attention in recent times because of its mushrooming temple complexes and replicas of popular shrines on pilgrim circuits. Keeping this exceptional feature as the driving force I have tried to create a multimedia presentation in a sequence which might open up the curtains one by one. A news feature on the SG Highway had already appeared in the Ahmedabad edition of the Times of India on the 24th of July 2003. At that point the temples complexes had just begun to take shape with the successful replication of the Vaishno Devi Temple. My news story brings the story down further to 2009 to show the more recent replication of the Tirupati Balaji temple. The news feed drives the user to explore the replicas of two major shrines one being from north and the other being from the south, as well as its implications in contemporary senario. Namely, the Vaishnavdevi temple and the Tirupati Balaji temple on SG Highway. Given the spatial limitations of the multimedia news format, I have chosen to depict some salient features of the SG Highway focusing in particular on the replica shrines and their significance for visitors and devotees in the city of Ahmedabad.
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    Body sense: towards a sensible approach to health and body image
    (Dhirubhai Ambani Institute of Information and Communication Technology, 2009) Kaur, Gagandeep; Mazumdar, Madhumita
    Body sense is a website intended as a platform for young women to help them identify and respond to the conditions in their lives that contribute to their confused body images, eating disorders and related problems of obesity and depression. It seeks to send out the message that It is important to resist myths about obesity, thinness or the perfect body that the market sells the in order to embrace a healthy lifestyle and a positive body image.
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    String puppets of Rajasthan
    (Dhirubhai Ambani Institute of Information and Communication Technology, 2009) Shah, Aneri; Raman, Sethu
    The Project is explores the contents of usage of background in the specified domain of the art form of Rajasthani Kathputli and their performers, Types of Puppet, Folklore stories about Rajasthani string Puppets, About Bhat Community, Story about first Net Puppeteer, History and myth about Vikramaditya’s 32 dolls, Amar Singh Story about String puppets, Popular Modern Characters, How Puppeteer are Making the String puppets, Language of communication through Facial expression, Sutradhar, Boli & Team and stage, its Ritual customs and Traditions, and Modern trends. This project also sincerely appeals to all the generations to save this fabulous form of art.

    The final output will an Interactive Multimedia CD- ROM which provides nonlinear access to multiple forms of information ranging from digital medium like film, sound, illustration, Photographs, interactive animation and text in a format that allows the user to explore it, and learn about the display principle in the context of Udaipur popular Folk Art Rajasthani string Puppet visual and Per formative traditions.

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    Christianity and Kathakali: Dance - drama of Kerala
    (Dhirubhai Ambani Institute of Information and Communication Technology, 2009) Alex, Abin; Sarkar, Aditi Nath
    Kathakali and Christianity have long been associated with the state of Kerala. Both have had their own independent identity. Since Kathakali was not an art form that portrayed the Biblical stories and it was confined within the temple compound, in the early years an intermingling of them was a question out of context. Though Christians in Kerala are known to have co-existed with native culture of Kerala, the arrival of Portugese and strict rules imposed by the Christian orthodox authority saw the community taking less to the native culture. This resulted in the formulation of new art forms exclusively belonging to the Christians of Kerala like Margamkali and Chavitunadakkom. Moreover, the mythological stories that are part and parcel of Kathakali performance where considered to be chiefly belonging to Hindus. There were rites and rituals before, during and after the performance of Kathakali that led people from non-Hindu community to make unfriendly them from the art form. It was not until the 1960s that the ruling of the second Vatican council and the efforts of people to make Kathakali represent Kerala rather than a particular division, those stories from Bible made their way into the literatures of this dance form. This development is recent comparing with the time these two entities have been existing in Kerala. There is the need for familiarizing the masses about this as the growth of this segment of Kathakali is oblivious to a lot of people. I intend to meet this end through this project.
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    Khel mangalagauriche: women and somatic recreation
    (Dhirubhai Ambani Institute of Information and Communication Technology, 2008) Kore, Manasi; Desai, Binita
    In Maharashtra, there are many rituals and festivals celebrated especially by women. The reason behind performing such rituals is to worship a god or goddess. But the women themselves are benefited from these rituals. The traditional games are no exception. Maharashtra has a rich tradition of games for women, played in the festivals. They are performed throughout night to entertain the Goddess. But these games take care of the women’s mental as well as physical health. The traditional games played in a community represent the culture of that community. Mangalagaur games, played by Chitpavan Brahmin community of Maharashtra are one of the most popular games found. The games involve physical activities synchronized with songs. Song and exercise together can be compared with the aerobics. Though Mangalagaur is celebrated only by Brahmins of Maharashtra, similar games can be seen played on different occasions like Nagpanchami, Hartalika and Bhondala in other communities. ‘Khel Mangalagauriche’ (Games of Mangalagaur) is an attempt to understand the importance given to a woman’s mental and physical health in the Maharashtrian culture through the games played during the Mangalagaur.
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    Waterpoly: a learning game kit
    (Dhirubhai Ambani Institute of Information and Communication Technology, 2008) Bhar, Rahul; Raje, Nitin
    The title of my project is “Waterpoly” – A Learning Game Kit. The objective of my project is to design an interactive computer aided training program to bring awareness of Water Conservation methods for improving standard of living in rural India. My product contains a Board Game and an Information CD. The board game is based on simulation of agricultural inputs required to cultivate rice. This is to arouse curiosity and provide an experienced based learning. Another part of the project is the Information CD. The Information CD provides the information regarding various water conservation methods used within the game and its related sub domains like rainfall, soil, watershed etc. Detail description and implementation methodologies for water conservation are also included in the CD as an extra level of knowledge. Along with the information for the various water conservation methodologies, there is a game help within the CD, to help a player to understand how to play a game and acts as a tutorial for the game.